Just for the record, this stuff, the good stuff, is some of my favorite music, ever. Tchaikovsky? Yuck.
Uh, your grade will go up if you listen to these tracks. I might not even be kidding. If nothing else, you may as well get an education as long as you’re in coolidge. Just saying.
The vast interval separating the “out” and “in” should be self-evident. Just one comparison worth noting is the way that Prokofiev’s Piano Concerto #1 sounds as if it were written as a deliberately ironic parody of Tchaikovsky’s very famous piano concerto. Perhaps listening to Prokofiev’s piece in isolation would not cause many people chuckle. But after hearing Prokofiev’s ironic take on the older composer’s aching pathos and pompous bluster, it’s hard to go back and listen to Tchaikovsky’s piano music without laughing out loud. I laughed anyway. Prokofiev, it must appear to us, is writing quite deliberately to render Tchaikovsky entirely obsolete, indeed ridiculous. What, to make another comparison and contrast, do we hear when listening to Prokofiev’s “Romeo and Juliet” back to back with Tchaikovsky’s?”
Pyotr Ilyich Tchaikovsky
(1840 – 1898)
“Symphony Pathetique”
“Serenade For Strings”
“Violin Concerto #1 in D Major”
“Piano Concerto #1 in B-flat Minor”
“Romeo and Juliet – Fantasy Overture”
Cool!
Sergei Prokofiev
(1891 – 1953)
“Romeo and Juliet – Introduction”
“Piano Concerto #1 in D-flat Major”
“Violin Concerto #1 in D”
“‘Classical’ Symphony #1 (Allegro)”
“Piano Sonata #7 in B-flat Major”
“Sinphonietta (Allegro Giacosso)”
Igor Stravinsky
(1882 – 1971)
“Dance of The Firebird”
“Petrouchka (Russian Dance)”
Violin Concerto #1 (Toccata)”
Dmitri Shostakovich
(1906 – 1975)
“Jazz Suite #1 – Foxtrot”
“String Quartet #2 in A Minor”
“Piano Concerto #1 (Allegretto)”
“Violin Concerto #1 (Nocturne)
“Violin Concerto #1 (Passacaglia)”
Piet Mondrian
Composition with Red, Yellow and Blue, 1921
Oil on canvas, 39 x 35 cm